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ARTIST STATEMENT

I am interested in the politics of the body. It is a war-field of conflicting perceptions, judgements and justifications. It is trapped in the violent push and pull of inconsistent ideologies. The exposed flesh is a repository for meaning, and a proverbial canvas onto which abstract concepts are imposed. In a society obsessed with a contrived and generic version of perfection, I wish to assess and challenge this archetype and put forward alternatives for consideration.

 

My subjects are aesthetic outsiders represented with the visual language of early religious icons. An uneasy tension is thus created between the subject’s duality of roles as both idol and object of scrutiny. By looking into this open-ended, often confusing, plethora of perception there is great potential for a reconsidered value system to emerge.

 

 

 

Ruth Farnces
Ruth Frances
Ruth Frances
Ruth Frances

Glory Hole

Oil and gold leaf on canvas

800mm X 1000mm

2013

 

The cast off repository

Oil and gold leaf on canvas

900mm X 900mm

2013

 

Ruth Frances
Ruth Frances
Ruth Frances
Ruth Frances
When symmetry represents entropy

Idolatry

Oil and gold leaf on canvas

900mm X 800mm

2014

 

Consecration

Oil and gold leaf on canvas

1400mm X 600mm

2014

 

The forgotten, the found

Oil and gold leaf on canvas

1000mm X 800mm

2013

 

Progression vs. regression

Oil on canvas with brass pin and gold thread construction

1700mm X 1102mm

2014

 

Perception's sludge

Oil and gold leaf on canvas

900mm X 600mm

2014

 

Siamese dream

Oil and gold leaf on canvas

1000mm X 900mm

2014

 

When symmetry represents entropy

Oil and gold leaf on canvas

900mm X 700mm

2014

 

Click each image for details and to enlarge

glory hole
idolatry
consecration
pro/regression
forgotten found
cast off rep
sludge
siamese dream
symmetry entropy

STILL LIFE

THE BODY AS ICON AND OBJECT OF SCRUTINY

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