ARTIST STATEMENT
I am interested in the politics of the body. It is a war-field of conflicting perceptions, judgements and justifications. It is trapped in the violent push and pull of inconsistent ideologies. The exposed flesh is a repository for meaning, and a proverbial canvas onto which abstract concepts are imposed. In a society obsessed with a contrived and generic version of perfection, I wish to assess and challenge this archetype and put forward alternatives for consideration.
My subjects are aesthetic outsiders represented with the visual language of early religious icons. An uneasy tension is thus created between the subject’s duality of roles as both idol and object of scrutiny. By looking into this open-ended, often confusing, plethora of perception there is great potential for a reconsidered value system to emerge.




Glory Hole
Oil and gold leaf on canvas
800mm X 1000mm
2013
The cast off repository
Oil and gold leaf on canvas
900mm X 900mm
2013





Idolatry
Oil and gold leaf on canvas
900mm X 800mm
2014
Consecration
Oil and gold leaf on canvas
1400mm X 600mm
2014
The forgotten, the found
Oil and gold leaf on canvas
1000mm X 800mm
2013
Progression vs. regression
Oil on canvas with brass pin and gold thread construction
1700mm X 1102mm
2014
Perception's sludge
Oil and gold leaf on canvas
900mm X 600mm
2014
Siamese dream
Oil and gold leaf on canvas
1000mm X 900mm
2014
When symmetry represents entropy
Oil and gold leaf on canvas
900mm X 700mm
2014
